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Tag Archives: Shakespeare
Shakespeare as Springboard
“Shakespeare lied.When Juliet died,Romeo didn’t take poison just because he’d lost his bride.What did he do?He got over it.He went back to junior high, and he got over it.And so will you.You’ll get over it.” A lyric by Carolyn Leigh … Continue reading
Posted in Chekhov, Shakespeare
Tagged AR Gurney, Bedlam Theater, Chimes at Midnight, Eric Tucker, Falstaff, Fat Ham, Hamlet, Henry IV, How Now Dow Jones, James Ijames, Jay O. Sanders, Keith Baxter, King Lear, Lanford Wilson, Love and Let Love, Margaret Thatcher, Merchant of Venice, Moira Buffini, Orson welles, Peter Ustinov, Queen Elizabeth II, Saint Flashlight, Shakespeare, The Will of the City, Theatre for a New Audience, Tom Stoppard, Twelfth Night, Your Own Thing
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Chasing Stories
If you took a census of all of the characters who are alive in my mind, it wouldn’t surprise me if the number reached into the thousands. Sherlock Holmes and Mama Rose, Clytemnestra and Walter Lee Younger, Jackie Brown and … Continue reading
Posted in Broadway, drama, New York, off-Broadway, playwriting, theater
Tagged Bedlam Theater, Chris Chibnall, Christopher Walken, Doctor Who, Eric Tucker, Henrik Ibsen, Jennifer Westfeldt, Jodie Whitaker, Liba Vaynberg, Mike Birbiglia, Othello, Pygmalion, Rattlestick Theater, Saint Joan, Sense and Sensibility, Shakespeare, Susannah Millonzi, The Gett, The Old Man and the Pool, The Winter's Tale
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Telling it Clearly — “Macbeth” vs. “Cyrano”
I’m a story guy. I think the roots of the theater lie in people sharing stories. I’ve written before about a conversation I had in the mid-Seventies with novelist Louis L’Amour that influenced my thinking. He described how Native Americans, … Continue reading
Posted in Broadway, drama, New York, off-Broadway, theater
Tagged BAM, Betrayal, Brooklyn Academy of Music, Cyrano, Daniel Craig, Evelyn Miller, Harold Pinter, Ivo Van Hove, James Mcavoy, Jamie Lloyd, Louls L'Amour, Macbeth, Othello, Ruth Negga, Sam Gold, Shakespeare
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Patterns
Maybe one of the differences between a blog entry and an essay is that an essay should be a shapely, elegant composition. With, you know, a structure, a build. The final sentence should give the reader a sense of arriving … Continue reading
Bad Behavior
Richard in Richard III is intended to be a villain. Shakespeare paints him as evil on legs. And yet, we get impatient when he’s off the stage. Clarence has a long speech filled with poetry. Yes, yes, beautiful, but could … Continue reading
Posted in Broadway, drama, film adaptation, New York, off-Broadway, playwriting, theater, Uncategorized
Tagged A Streetcar Named Desire, Aaron Sorkin, Abby Rosebrock, Alan Cumming, Atticus Finch, Blue Ridge, Carnal Knowledge, Christopher Walker, Daddy, Downstairs, Halley Feiffer, Hamish Linklater, Happy Birthday Wana June, Harper Lee, Heidi Schreck, Hillary and Clinton, Iago, Ink, Jack Nicholson, Jenny Allen, Jeremy O. Harris, Jessica Tandy, Jez Butterworth, John Osborne, Jules Feiffer, Kurt Vonnegut, Look Back in Anger, Marin Ireland, Marlon Brando, Mike Nichols, Network, Othello, Paddy Chayefsky, Restoration, Richard III, Rita Moreno, Rupert Murdoch, Shakespeare, Socratese, The Double-Dealer, The New Yorker, The Pain of My Own Belligerence, Theresa Rebeck, Tim Blake Nelson, To Kill a Mockingbird, Tyne Daly, What the Constitution Means to Me, Wheelhouse Theater
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