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Category Archives: playwriting
Two Contrasting Plays
I continue my casual tromp through plays of the past, alternating reading from an anthology of early Pulitzer Prize-winners and an anthology of postwar African-American plays. The two most recent plays I’ve encountered, by coincidence, are about flawed Black authority … Continue reading
TROUBLE IN MIND — Alice Childress
I continue to read plays from the past I’ve never gotten to see. Mostly, as I’ve said before, I’m alternating between an anthology of plays that won the Pulitzer Prize early on and an anthology of post-war plays by Black … Continue reading
Another obscure Pulitzer Prize-winning play
Continuing my lackadaisical progress through Pulitzer Prize-winners of the past, hit Hell-bent Fer Heaven by Hatcher Hughes. As the “fer” in the title suggests, this is a play written in dialect about hill people in the South (reportedly based on … Continue reading
Posted in Broadway, drama, New York, playwriting, Pulitzer Prize, theater
Tagged dialect, George Abbott, Hell-bent fer Heaven, Miss Lulu Bett, Pygmalion, theater history, theatre history
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Terrence McNally Documentary on AMERICAN MASTERS
Having been involved in NY theatre since 1967, watching Terrence McNally: Every Act of Life stirred up decades of memories. Some of them involve Terrence. I can’t claim to be a close friend, but he and his work have been … Continue reading
Posted in Broadway, drama, New York, off-Broadway, playwriting, Second City, theater
Tagged American Masters, Chicago Shakespeare, Edward Albee, Elaine May, Jeff Richmond, Lanford Wilson, Love! Valour! Compassion!, Marin Mazzie, Ragtime, Robert Brustein, Terrence McNally, The Ritz, The Tubs, Wendy Wasserstein, What Playwrights Talk About When They Talk About Writing
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Patterns
Maybe one of the differences between a blog entry and an essay is that an essay should be a shapely, elegant composition. With, you know, a structure, a build. The final sentence should give the reader a sense of arriving … Continue reading
Bad Behavior
Richard in Richard III is intended to be a villain. Shakespeare paints him as evil on legs. And yet, we get impatient when he’s off the stage. Clarence has a long speech filled with poetry. Yes, yes, beautiful, but could … Continue reading
Posted in Broadway, drama, film adaptation, New York, off-Broadway, playwriting, theater, Uncategorized
Tagged A Streetcar Named Desire, Aaron Sorkin, Abby Rosebrock, Alan Cumming, Atticus Finch, Blue Ridge, Carnal Knowledge, Christopher Walker, Daddy, Downstairs, Halley Feiffer, Hamish Linklater, Happy Birthday Wana June, Harper Lee, Heidi Schreck, Hillary and Clinton, Iago, Ink, Jack Nicholson, Jenny Allen, Jeremy O. Harris, Jessica Tandy, Jez Butterworth, John Osborne, Jules Feiffer, Kurt Vonnegut, Look Back in Anger, Marin Ireland, Marlon Brando, Mike Nichols, Network, Othello, Paddy Chayefsky, Restoration, Richard III, Rita Moreno, Rupert Murdoch, Shakespeare, Socratese, The Double-Dealer, The New Yorker, The Pain of My Own Belligerence, Theresa Rebeck, Tim Blake Nelson, To Kill a Mockingbird, Tyne Daly, What the Constitution Means to Me, Wheelhouse Theater
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Life Sucks
Once upon a time, when a musical opened on Broadway, it was common for a combo to release an LP (everybody remember what an LP is?) of jazz impressions of the score. Shelley Manne released Jazz Performances of Songs from … Continue reading
After by Michael McKeever
At first, After, a play by Michael McKeever, is reminiscent of God of Carnage, the Yasmina Reza play about two sets of parents meeting to sort out a conflict involving their sons. Carnage, however, plays out in one act in … Continue reading
Posted in drama, New York, off-Broadway, playwriting, theater
Tagged 59e59th Street Theater, God of Carnage, Joe Brancato, Michael McKeever, Yasmine Reza
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“Mockingbird” — Stage and Screen
Kristine and I just watched the film version of Harper Lee’s To Kill a Mockingbird a few days after seeing the play. The differences between the film and the stage play are instructive. In the film, the Finches’ housekeeper, Calpurnia, has maybe … Continue reading
Posted in Broadway, drama, film adaptation, movies, playwriting, Uncategorized
Tagged 1930s, A Tree Grows in Brooklyn, Aaoron Sorkin, Alabama, Betty Smith, Calpurnia, Elia Kazan, Gavin Stevens, Go Set a Watchman, Harper Lee, Intruder in the Dust, Lucas Beauchamp, Oxford Mississippi, To Kill a Mockingbird, Tom Robinson, William Faulkner
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Rejected by the O’Neill
I have heard from a number of friends that that have received word that they will not advance to the next level of consideration at the O’Neill. It may surprise some that, even though I wrote the book about the … Continue reading
