Category Archives: playwriting

Watching a TV series reminds me of a play I saw in 2007

Watched an oddball but extremely affecting British miniseries on Britbox tonight called Don’t Forget the Driver starring Toby Jones (in two roles) and co-written by Jones and Tim Crouch. The plot concerns a bus driver in Bognor Regis who discovers, … Continue reading

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“American Buffalo” on Broadway

In 2001, I served on a grand jury. At one point, an ADA played for us a recording from a wiretap. It was a conversation between two members of a violent drug gang. One was assigning the other to kill … Continue reading

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SPACE DOGS and ENGLISH

It’s no surprise that American playwrights usually write plays set in America. It is a little surprising that three current off-Broadway plays by American playwrights are, in fact, set outside our borders. I wrote recently about Joshua Harmon’s Prayer for … Continue reading

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“Long Day’s Journey Into Night” – sort of

The program that comes with the off-Broadway production at the Minetta Lane Theater says the play on offer is Long Day’s Journey Into Night by Eugene O’Neill. And it’s true that every word spoken on the stage is by O’Neill. … Continue reading

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Thoughts after watching THE VERDICT

Just watched The Verdict for the first time since it came out forty years ago in 1982. Sidney Lumet at the top of his game, a perfect damn script by David Mamet (I can’t say how much it owes to the … Continue reading

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CULLUD WATTAH and CLYDE’S

My idea was to write a series of plays, each of which would take place in another American city. The stories would be specific to those towns, each arising organically out of the character and history of the location. And … Continue reading

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Sondheim

In 1966, ABC decided to try to change its image. It had a reputation for dumb shows with scantily-clad women and car chases. Someone at the network decided they were going to prove they could do quality, too. Thus was … Continue reading

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Review: “Morning’s at Seven”

Paul Osborn’s Morning’s at Seven (playing at St. Clement’s) is the most James Thurberish play I know and it isn’t by Thurber. Some people are charmed by Thurber. Some are immune. (Some have no idea who he was.) I am … Continue reading

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Review: “The Visitor”

For about the first half of its 90-minute running time, The Visitor, the new musical playing at the Public Theater based on Tom McCarthy’s 2007 film, works very nicely indeed. Kwame Kwei-Armah and Brian Yorkey’s script effectively translates McCarthy’s screenplay … Continue reading

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Fairycakes, Thoughts of a Colored Man, Chicken and Biscuits

It could be that, after months of having to watch actors in two dimensions on screens, I am so grateful to be in the company of life-sized human beings that I’m in a glass half-full mode. I have seen a … Continue reading

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