Category Archives: playwriting

Patterns

Maybe one of the differences between a blog entry and an essay is that an essay should be a shapely, elegant composition.  With, you know, a structure, a build. The final sentence should give the reader a sense of arriving … Continue reading

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Bad Behavior

Richard in Richard III is intended to be a villain. Shakespeare paints him as evil on legs. And yet, we get impatient when he’s off the stage. Clarence has a long speech filled with poetry. Yes, yes, beautiful, but could … Continue reading

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Life Sucks

Once upon a time, when a musical opened on Broadway, it was common for a combo to release an LP (everybody remember what an LP is?) of jazz impressions of the score. Shelley Manne released Jazz Performances of Songs from … Continue reading

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After by Michael McKeever

At first, After, a play by Michael McKeever, is reminiscent of God of Carnage, the Yasmina Reza play about two sets of parents meeting to sort out a conflict involving their sons. Carnage, however, plays out in one act in … Continue reading

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“Mockingbird” — Stage and Screen

Kristine and I just watched the film version of Harper Lee’s To Kill a Mockingbird a few days after seeing the play. The differences between the film and the stage play are instructive. In the film, the Finches’ housekeeper, Calpurnia, has maybe … Continue reading

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Rejected by the O’Neill

I have heard from a number of friends that that have received word that they will not advance to the next level of consideration at the O’Neill. It may surprise some that, even though I wrote the book about the … Continue reading

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In Dialogue

One of the differences between a blog post and an essay is that an essay is expected to be shapely and to move to some resonant conclusion. Occasionally a blog post will end resonantly, but mostly I find blogging is … Continue reading

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