Category Archives: Uncategorized

As You Kink It

Posted on September 5, 2022 by dgsweet

Because of serendipitous scheduling, I saw Kinky Boots on a matinee and the New York Shakespeare production of As You Like It that night. Kinky Boots is about a guy who gets to say and do some things because he … Continue reading →

Posted in Broadway, Chicago theater, drama, improvisation, musicals, New York, off-Broadway, theater, Uncategorized | Tagged , , , , , , , , , , , , , , , , , | 2 Comments

“Winter Adé”

Posted on June 22, 2022 by dgsweet

On an impulse, I watched Helke Misselwitz’ documentary, Winter Adé on Mubi streaming. The film is mostly a collection of interviews by the director of women in East Germany. The interviewees are of various ages. Two teenagers who don’t want … Continue reading →

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“American Buffalo” on Broadway

Posted on May 20, 2022 by dgsweet

In 2001, I served on a grand jury. At one point, an ADA played for us a recording from a wiretap. It was a conversation between two members of a violent drug gang. One was assigning the other to kill … Continue reading →

Posted in Broadway, Chicago theater, drama, improvisation, playwriting, Second City, theater, Uncategorized | Tagged , , , , | 2 Comments

Reviewing or Criticism?

Posted on May 9, 2022 by dgsweet

I’m going to make a purely personal discrimination. It seems to me that reviews and pieces of criticism are different things. A review exists to give the reader advice on whether or not the work being covered is worth attending. … Continue reading →

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“Plaza Suite”

Posted on May 7, 2022 by dgsweet

Neil Simon wrote a lot of plays I admire and have watched with pleasure multiple times. But inevitably there are some that appeal to me more than others. I saw the original production of Plaza Suite. It was directed by … Continue reading →

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“The Weissensee Saga”

Posted on April 5, 2022 by dgsweet

It’s common for the author of historical fiction to want to cram in as many aspects of the period being covered as can be managed. Herman Wouk’s The Winds of War and War and Remembrance moves various branches of “Pug” … Continue reading →

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ALICE ADAMS — book and film

Posted on March 5, 2022 by dgsweet

Finished reading Booth Tarkington’s Alice Adams recently and watched George Stevens’s film adaptation. The racism in the book is dismaying but not entirely surprising for a book that was published in 1921. The good stuff in it is very good … Continue reading →

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Thoughts on “Prayer For the French Republic”

Posted on February 12, 2022 by dgsweet

At a time when we’ve gotten used to tasty 90-minute hors d’oeuvres, it’s exhilarating to encounter a play with enough on its mind to hold the attention for three hours (including two 10-minute intermissions). Joshua Harmon’s Prayer For the French … Continue reading →

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Richard Christiansen

Posted on February 10, 2022 by dgsweet

I wrote a piece for American Theatre about the late, great Richard Christiansen, a critic who had a major part in the Chicago theater renaissance.  And also a friend of mine. Here’s the link — Remembering Richard Christiansen

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Thoughts after watching THE VERDICT

Posted on February 1, 2022 by dgsweet

Just watched The Verdict for the first time since it came out forty years ago in 1982. Sidney Lumet at the top of his game, a perfect damn script by David Mamet (I can’t say how much it owes to the … Continue reading →

Posted in Chicago theater, drama, film adaptation, movies, off-Broadway, playwriting, Pulitzer Prize, Second City, Uncategorized | Tagged , , , , , , , , , , , , , , , , , , , , | 1 Comment