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Category Archives: drama
Chasing Stories
If you took a census of all of the characters who are alive in my mind, it wouldn’t surprise me if the number reached into the thousands. Sherlock Holmes and Mama Rose, Clytemnestra and Walter Lee Younger, Jackie Brown and … Continue reading
Posted in Broadway, drama, New York, off-Broadway, playwriting, theater
Tagged Bedlam Theater, Chris Chibnall, Christopher Walken, Doctor Who, Eric Tucker, Henrik Ibsen, Jennifer Westfeldt, Jodie Whitaker, Liba Vaynberg, Mike Birbiglia, Othello, Pygmalion, Rattlestick Theater, Saint Joan, Sense and Sensibility, Shakespeare, Susannah Millonzi, The Gett, The Old Man and the Pool, The Winter's Tale
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“Raisin in the Sun” at the Public
The first grown-up straight play I remember seeing was Lorraine Hansberry’s A Raisin in the Sun in Chicago. I didn’t see it the first time it played Chicago, when it stopped there on its way to Broadway in February 1959 … Continue reading
Posted in Broadway, Chicago theater, drama, film adaptation, New York, off-Broadway, playwriting, theater
Tagged Claudia Cassidy, Claudia McNeil, Danny Glover, Diana Sands, Esther Rolle, Francois Battiste, Jonathan Miller, Lloyd Richards, Long Day's Journey Into Night, Lorraine Hansberry, New York Public Theater, Phylicia Rashad, Raisin in the Sun, Robert O'Hara, Sean Combs, Sidney Poitier, Tonya Pinkins
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As You Kink It
Because of serendipitous scheduling, I saw Kinky Boots on a matinee and the New York Shakespeare production of As You Like It that night. Kinky Boots is about a guy who gets to say and do some things because he … Continue reading
Posted in Broadway, Chicago theater, drama, improvisation, musicals, New York, off-Broadway, theater, Uncategorized
Tagged Adrian Lester, As You Like It, BAM, Beauty and the Beast, Callum Francis, Cheek by Jowl, Christian Douglas, Cyndi Lauper, Danielle Hope, Harvei Fierstein, Henry V, Horacio Quiroga, Juan Darien Julie Taymor, King Boots, Rebecca Naomi Jones, Shaina Taub, Viola Spolin, William Shakespeare
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Telling it Clearly — “Macbeth” vs. “Cyrano”
I’m a story guy. I think the roots of the theater lie in people sharing stories. I’ve written before about a conversation I had in the mid-Seventies with novelist Louis L’Amour that influenced my thinking. He described how Native Americans, … Continue reading
Posted in Broadway, drama, New York, off-Broadway, theater
Tagged BAM, Betrayal, Brooklyn Academy of Music, Cyrano, Daniel Craig, Evelyn Miller, Harold Pinter, Ivo Van Hove, James Mcavoy, Jamie Lloyd, Louls L'Amour, Macbeth, Othello, Ruth Negga, Sam Gold, Shakespeare
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“American Buffalo” on Broadway
In 2001, I served on a grand jury. At one point, an ADA played for us a recording from a wiretap. It was a conversation between two members of a violent drug gang. One was assigning the other to kill … Continue reading
Posted in Broadway, Chicago theater, drama, improvisation, playwriting, Second City, theater, Uncategorized
Tagged American Buffalo, David Mamet, Harold Pinter, Neil Pepe, St. Nicholas Theater
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SPACE DOGS and ENGLISH
It’s no surprise that American playwrights usually write plays set in America. It is a little surprising that three current off-Broadway plays by American playwrights are, in fact, set outside our borders. I wrote recently about Joshua Harmon’s Prayer for … Continue reading
Posted in drama, off-Broadway, playwriting, theater
Tagged Atlantic Theater, English, Laika, Manhattan Class Company, Nick Blaemire, Sanaz Toossi, Space Dogs, Stalin, Van Hughes
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“Long Day’s Journey Into Night” – sort of
The program that comes with the off-Broadway production at the Minetta Lane Theater says the play on offer is Long Day’s Journey Into Night by Eugene O’Neill. And it’s true that every word spoken on the stage is by O’Neill. … Continue reading
Thoughts after watching THE VERDICT
Just watched The Verdict for the first time since it came out forty years ago in 1982. Sidney Lumet at the top of his game, a perfect damn script by David Mamet (I can’t say how much it owes to the … Continue reading
Posted in Chicago theater, drama, film adaptation, movies, off-Broadway, playwriting, Pulitzer Prize, Second City, Uncategorized
Tagged American Buffalo, Daniel, David Mamet, Duck Variations, Glengarry Glen Ross, Harold Pinter, James Mason, Jay Presson Allen, Julie Bovasso, Lewis Stadlen, Lindsay Crouse, Mike Nussbaum, Paul Newman, Prince of the City, Sidney Lumet, Slap Shot, St. Nicholas Theater, Stanley Richards, The Verdict, Village Voice, W.H. Macy
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CULLUD WATTAH and CLYDE’S
My idea was to write a series of plays, each of which would take place in another American city. The stories would be specific to those towns, each arising organically out of the character and history of the location. And … Continue reading
Posted in Broadway, drama, New York, off-Broadway, playwriting, Pulitzer Prize, theater
Tagged All My Sons, Arthur Miller, Clyde's, contaminated water, Crystal Dickinson, Cullud Wattah, Detroit, Dominique Morissea, Edmund Donovan, Enemy of the People, Erika Dickerson-Despenza, Flint, Generl Motors, Henrik Ibsen, Kara Young, Kate Whoriskey, Lynn Nottage, Oregon Shakespeare Festival, pollution, Public Theater, Reading PA, Reza Salazar, Rick Snyder, Roger Ailes, Ron Cephas Jones, Rosebud, Ruined, Skeleton Crew, The Detroit Project, Uzo Aduba, What Playwrights Talk About When They Talk About Writing
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Review: “The Visitor”
For about the first half of its 90-minute running time, The Visitor, the new musical playing at the Public Theater based on Tom McCarthy’s 2007 film, works very nicely indeed. Kwame Kwei-Armah and Brian Yorkey’s script effectively translates McCarthy’s screenplay … Continue reading
Posted in drama, movies, New York, off-Broadway, playwriting, Uncategorized
Tagged "David Hyde Piere", "The Visitor", Brian Yorkey, immigration, Kwame Kwei-Armah, musical, My Fair Lady, Tom Kitt, Tom McCarthy
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