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Category Archives: New York
Encountering Rose Franken
Continuing to wander through obscure corners of American playwriting, I have stumbled across a forgotten phenomenon. A writer named Rose Franken created a character who appeared first in a series of stories for Redbook, then in a series of eight … Continue reading
TROUBLE IN MIND — Alice Childress
I continue to read plays from the past I’ve never gotten to see. Mostly, as I’ve said before, I’m alternating between an anthology of plays that won the Pulitzer Prize early on and an anthology of post-war plays by Black … Continue reading
Another obscure Pulitzer Prize-winning play
Continuing my lackadaisical progress through Pulitzer Prize-winners of the past, hit Hell-bent Fer Heaven by Hatcher Hughes. As the “fer” in the title suggests, this is a play written in dialect about hill people in the South (reportedly based on … Continue reading
Posted in Broadway, drama, New York, playwriting, Pulitzer Prize, theater
Tagged dialect, George Abbott, Hell-bent fer Heaven, Miss Lulu Bett, Pygmalion, theater history, theatre history
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Terrence McNally Documentary on AMERICAN MASTERS
Having been involved in NY theatre since 1967, watching Terrence McNally: Every Act of Life stirred up decades of memories. Some of them involve Terrence. I can’t claim to be a close friend, but he and his work have been … Continue reading
Posted in Broadway, drama, New York, off-Broadway, playwriting, Second City, theater
Tagged American Masters, Chicago Shakespeare, Edward Albee, Elaine May, Jeff Richmond, Lanford Wilson, Love! Valour! Compassion!, Marin Mazzie, Ragtime, Robert Brustein, Terrence McNally, The Ritz, The Tubs, Wendy Wasserstein, What Playwrights Talk About When They Talk About Writing
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Bad Behavior
Richard in Richard III is intended to be a villain. Shakespeare paints him as evil on legs. And yet, we get impatient when he’s off the stage. Clarence has a long speech filled with poetry. Yes, yes, beautiful, but could … Continue reading
Posted in Broadway, drama, film adaptation, New York, off-Broadway, playwriting, theater, Uncategorized
Tagged A Streetcar Named Desire, Aaron Sorkin, Abby Rosebrock, Alan Cumming, Atticus Finch, Blue Ridge, Carnal Knowledge, Christopher Walker, Daddy, Downstairs, Halley Feiffer, Hamish Linklater, Happy Birthday Wana June, Harper Lee, Heidi Schreck, Hillary and Clinton, Iago, Ink, Jack Nicholson, Jenny Allen, Jeremy O. Harris, Jessica Tandy, Jez Butterworth, John Osborne, Jules Feiffer, Kurt Vonnegut, Look Back in Anger, Marin Ireland, Marlon Brando, Mike Nichols, Network, Othello, Paddy Chayefsky, Restoration, Richard III, Rita Moreno, Rupert Murdoch, Shakespeare, Socratese, The Double-Dealer, The New Yorker, The Pain of My Own Belligerence, Theresa Rebeck, Tim Blake Nelson, To Kill a Mockingbird, Tyne Daly, What the Constitution Means to Me, Wheelhouse Theater
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Thoughts on Rosie’s Theater Kids
I accepted an invitation to attend a performance on Sunday of Rosie’s Theater Kids. Rosie is Rosie O’Donnell, who started the organization to introduce theater to kids in the New York area who might otherwise not be exposed to it … Continue reading
Posted in Broadway, drama, New York, theater
Tagged Evanston Township High School, high school, Rosie O'Donnell, Rosie's Theater Kids, theater program
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After by Michael McKeever
At first, After, a play by Michael McKeever, is reminiscent of God of Carnage, the Yasmina Reza play about two sets of parents meeting to sort out a conflict involving their sons. Carnage, however, plays out in one act in … Continue reading
Posted in drama, New York, off-Broadway, playwriting, theater
Tagged 59e59th Street Theater, God of Carnage, Joe Brancato, Michael McKeever, Yasmine Reza
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