Tag Archives: Lynn Nottage
Homeless, Lizzie Borden and Three Plays With Brooklyn Connections
A few days ago, as I was leaving the Upper West Side building where my wife and I live, I ran into one of our neighbors, a former state Supreme Court judge. She knows I’m a playwright and a theater … Continue reading
Posted in drama, film adaptation, New York, off-Broadway, playwriting, Pulitzer Prize, theater, Uncategorized
Tagged A Doll's House, A Raisin in the Sun, Alexander Zelden, Anne Kauffman, August Wilson, Becomes a Woman, Betty Smith, Brooklyn, Crumbs From the Table of Joy, David Mamet, Eric Tucker, Fall River Fishing, Frederick Wiseman, Herman D. Farrell III, Jamie Lloyd, L:loyd Richards, Lorraine Hansberry, Love, Lynn Nottage, Mint Theater, National Theater of Great Britain, Oscar Isaac, Rachel Brosnahan, The Sign in Sidney Brustein's Window
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CULLUD WATTAH and CLYDE’S
My idea was to write a series of plays, each of which would take place in another American city. The stories would be specific to those towns, each arising organically out of the character and history of the location. And … Continue reading
Posted in Broadway, drama, New York, off-Broadway, playwriting, Pulitzer Prize, theater
Tagged All My Sons, Arthur Miller, Clyde's, contaminated water, Crystal Dickinson, Cullud Wattah, Detroit, Dominique Morissea, Edmund Donovan, Enemy of the People, Erika Dickerson-Despenza, Flint, Generl Motors, Henrik Ibsen, Kara Young, Kate Whoriskey, Lynn Nottage, Oregon Shakespeare Festival, pollution, Public Theater, Reading PA, Reza Salazar, Rick Snyder, Roger Ailes, Ron Cephas Jones, Rosebud, Ruined, Skeleton Crew, The Detroit Project, Uzo Aduba, What Playwrights Talk About When They Talk About Writing
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Jeffrey Sweet--Making the Scene 