Paddy Chayefsky
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Lee Grant
One of the treats about living where I have (and do) on the upper west side is that, walking my dog, I kept (and keep) running into Lee walking her dog. We always stop and swap stories. One time, I saw her on the street, we chatted, and then I sat down at our local Continue reading
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A Forgotten Play Yields Treasure
One of the pleasures of trawling the depths of the Broadway HD streaming channel is digging up obscurities. Often, they are obscure for good reason. I can’t say that Don Appell’s Lullaby is any great shakes as a piece of dramatic writing. But I can say that it features something rare: a great performance in Continue reading
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Bad Behavior
Richard in Richard III is intended to be a villain. Shakespeare paints him as evil on legs. And yet, we get impatient when he’s off the stage. Clarence has a long speech filled with poetry. Yes, yes, beautiful, but could you wrap it up and bring the monstrous brother on again? Richard’s treatment of the Continue reading
A Streetcar Named Desire, Aaron Sorkin, Abby Rosebrock, Alan Cumming, Atticus Finch, Blue Ridge, Carnal Knowledge, Christopher Walker, Daddy, Downstairs, Halley Feiffer, Hamish Linklater, Happy Birthday Wana June, Harper Lee, Heidi Schreck, Hillary and Clinton, Iago, Ink, Jack Nicholson, Jenny Allen, Jeremy O. Harris, Jessica Tandy, Jez Butterworth, John Osborne, Jules Feiffer, Kurt Vonnegut, Look Back in Anger, Marin Ireland, Marlon Brando, Mike Nichols, Network, Othello, Paddy Chayefsky, Restoration, Richard III, Rita Moreno, Rupert Murdoch, Shakespeare, Socratese, The Double-Dealer, The New Yorker, The Pain of My Own Belligerence, Theresa Rebeck, Tim Blake Nelson, To Kill a Mockingbird, Tyne Daly, What the Constitution Means to Me, Wheelhouse Theater
Jeffrey Sweet--Making the Scene 