Bedlam Theater
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Shakespeare as Springboard
“Shakespeare lied.When Juliet died,Romeo didn’t take poison just because he’d lost his bride.What did he do?He got over it.He went back to junior high, and he got over it.And so will you.You’ll get over it.” A lyric by Carolyn Leigh from the musical How Now Dow Jones (with music by Elmer Bernstein) suggesting a different Continue reading
AR Gurney, Bedlam Theater, Chimes at Midnight, Eric Tucker, Falstaff, Fat Ham, Hamlet, Henry IV, How Now Dow Jones, James Ijames, Jay O. Sanders, Keith Baxter, King Lear, Lanford Wilson, Love and Let Love, Margaret Thatcher, Merchant of Venice, Moira Buffini, Orson welles, Peter Ustinov, Queen Elizabeth II, Saint Flashlight, Shakespeare, The Will of the City, Theatre for a New Audience, Tom Stoppard, Twelfth Night, Your Own Thing -
Chasing Stories
If you took a census of all of the characters who are alive in my mind, it wouldn’t surprise me if the number reached into the thousands. Sherlock Holmes and Mama Rose, Clytemnestra and Walter Lee Younger, Jackie Brown and Zatoichi – leading, supporting and cameo characters reside uneasily in an ever-expanding repertory company and Continue reading
Bedlam Theater, Chris Chibnall, Christopher Walken, Doctor Who, Eric Tucker, Henrik Ibsen, Jennifer Westfeldt, Jodie Whitaker, Liba Vaynberg, Mike Birbiglia, Othello, Pygmalion, Rattlestick Theater, Saint Joan, Sense and Sensibility, Shakespeare, Susannah Millonzi, The Gett, The Old Man and the Pool, The Winter's Tale -
Rejected by the O’Neill
I have heard from a number of friends that that have received word that they will not advance to the next level of consideration at the O’Neill. It may surprise some that, even though I wrote the book about the O’Neill — cleverly titled The O’Neill — I have never had a play produced there. Continue reading