off-Broadway
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CULLUD WATTAH and CLYDE’S
My idea was to write a series of plays, each of which would take place in another American city. The stories would be specific to those towns, each arising organically out of the character and history of the location. And I would try to tell stories about cities that hadn’t already been represented a lot… Continue reading
All My Sons, Arthur Miller, Clyde’s, contaminated water, Crystal Dickinson, Cullud Wattah, Detroit, Dominique Morissea, Edmund Donovan, Enemy of the People, Erika Dickerson-Despenza, Flint, Generl Motors, Henrik Ibsen, Kara Young, Kate Whoriskey, Lynn Nottage, Oregon Shakespeare Festival, pollution, Public Theater, Reading PA, Reza Salazar, Rick Snyder, Roger Ailes, Ron Cephas Jones, Rosebud, Ruined, Skeleton Crew, The Detroit Project, Uzo Aduba, What Playwrights Talk About When They Talk About Writing -
Review: “Morning’s at Seven”
Paul Osborn’s Morning’s at Seven (playing at St. Clement’s) is the most James Thurberish play I know and it isn’t by Thurber. Some people are charmed by Thurber. Some are immune. (Some have no idea who he was.) I am charmed. It’s an ensemble piece in which all of the parts are rewarding to play,… Continue reading
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Review: “The Visitor”
For about the first half of its 90-minute running time, The Visitor, the new musical playing at the Public Theater based on Tom McCarthy’s 2007 film, works very nicely indeed. Kwame Kwei-Armah and Brian Yorkey’s script effectively translates McCarthy’s screenplay to the stage with understated encounters and the songs Yorkey (as lyricist) wrote with composer… Continue reading
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Returning to the Scene
To be simultaneously separated by masks (I wear two) and joined in responding with laughter with hundreds of others is to experience the contradictions of going to the theater these days. Of course, you can’t see the mouths, but maybe you see someone’s eyebrows dance or a tiny backward jerk of the head. In olden… Continue reading
A Commercial Jingle for Regina Comet, Alex Wyse, Ben Fankhauser, Bridge Theatre, Bryonha Marie Parham, Charlotte Bydwell, covid, Dan Wagoner, Hal Prince, Jay O. Sanders, Lakawanna Blues, Martyna Majok, Maryann Plunkett, National Theatre, Porch, Prince of Broadway, Rhinebeck, Richard Nelson, Robert LePage, Ruben Santiago-Hudson, Stratford Festival, What Happened? -
Review: “Sanctuary City”
Movie trailers today mostly are constructed the same way – a line or two of characters yelling or a violent incident quick cuts to another violent incident or line or two of characters yelling. And accompanying each cut is a loud thudding or whomping sound designed to jolt the audience to attention. Using these noises… Continue reading
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Two Contrasting Plays
I continue my casual tromp through plays of the past, alternating reading from an anthology of early Pulitzer Prize-winners and an anthology of postwar African-American plays. The two most recent plays I’ve encountered, by coincidence, are about flawed Black authority figures. The Amen Corner (published in 1954, premiered in 1965) by James Baldwin is about… Continue reading
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TROUBLE IN MIND — Alice Childress
I continue to read plays from the past I’ve never gotten to see. Mostly, as I’ve said before, I’m alternating between an anthology of plays that won the Pulitzer Prize early on and an anthology of post-war plays by Black writers. Finally caught up with Trouble in Mind by Alice Childress. It’s been going through… Continue reading
Jeffrey Sweet--Making the Scene 