off-Broadway
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Review: “Brooklyn Laundry”
I sometimes wish I knew less about how plays are built. I’ve been going to the theater regularly since my early teens and putting up plays professionally for more than 50 years, so the techniques and conventions of naturalistic dramatic writing are imprinted as pathways as broad as six-lane highways in my brain. On the… Continue reading
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Thoughts on “Aristocrats” and “Appropriate”
Brian Friel’s Aristocrats is set in Ireland and Brandon Jacobs-Jenkins’s Appropriate is set in the American South, but they have similar things in mind. Aristocrats takes place in and near a crumbling Irish manor house. Appropriate takes place in a crumbling Southern mansion. The two are crumbling because of a lack of money and will… Continue reading
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Review: “Job”
I’ve said it before, but what the hell: I think there is a difference between being a reviewer and being a critic. A reviewer is someone you check with to decide whether you want to see something. A critic is someone who discusses the work in some kind of depth, on the assumption that you’re… Continue reading
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Immmigrants
It’s been a while since I’ve heard anybody use the term “the melting pot.” If I remember my high school history correctly, the idea was that people arriving in this country would bring with them the cultures they had left (or fled). They and/or their children would inevitably meet, socialize with, marry and produce offspring… Continue reading
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All the Devils are Here
Patrick Page is blessed with a voice which tests the capacity of the woofer in your speaker system. Since we tend to link low, rumbly voices with power and associate power with its abuse, he has the natural equipment to play villains. And so he has, making a career of playing not only Shakespearean villains,… Continue reading
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“The Doctor” – written and directed by Robert Icke
I do wish that Robert Icke the director had trusted Robert Icke the writer a bit more. Icke the writer has composed a script about a doctor named Ruth Wolff who strides through her life utterly certain of her ethical imperatives at every turn. Well, whenever you introduce a character so full of certitude, you… Continue reading
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“Days of Wine and Roses”
Popular culture has stamped the Fifties in our minds with images of Elvis Presley, Doris Day, Rock Hudson, Mickey Mantle and Annette Funicello. The war was over, the economy was booming, bebop and abstract expressionism were bringing new ideas to music and art, and musicals like Guys and Dolls, Bells Are Ringing and The Music… Continue reading
Broadway, film adaptation, Golden Age of Television, movies, musicals, New York, off-Broadway, playwriting, television, theater12 Angry Men, 1950s, Adam Guettal, Atlantic Theater, Blake Edwards, Cliff Robertson, Craig Lucas, Criterion, Executive Suite, Fred Coe, Jack Lemmon, John Frankenheimer, JP Miller, Judgment at Nuremberg, Lee Remick, Leonard Bernstein, Mad Men, Marty, Michael Greif, Patterns, Philco Playhouse, Piper Laurie, Playhouse 90, Requiem for a Heavyweight, The, The Apartment, The Trip to Bountiful, United States Steel Hour, Westinghouse Studio One -
Jamie Lloyd Reminds Us of Some Essentials
A New York Post writer named John Oleksinski recently wrote an article in which he chided Broadway producers for productions that charge big money but offer skimpy production values. Oleksinski claims that chintziness in scenery is based in a desire to cut budgets. If you go to Broadway (or any theater) for the fun of… Continue reading
Jeffrey Sweet--Making the Scene 