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Author Archives: dgsweet
Bad Behavior
Richard in Richard III is intended to be a villain. Shakespeare paints him as evil on legs. And yet, we get impatient when he’s off the stage. Clarence has a long speech filled with poetry. Yes, yes, beautiful, but could … Continue reading
Posted in Broadway, drama, film adaptation, New York, off-Broadway, playwriting, theater, Uncategorized
Tagged A Streetcar Named Desire, Aaron Sorkin, Abby Rosebrock, Alan Cumming, Atticus Finch, Blue Ridge, Carnal Knowledge, Christopher Walker, Daddy, Downstairs, Halley Feiffer, Hamish Linklater, Happy Birthday Wana June, Harper Lee, Heidi Schreck, Hillary and Clinton, Iago, Ink, Jack Nicholson, Jenny Allen, Jeremy O. Harris, Jessica Tandy, Jez Butterworth, John Osborne, Jules Feiffer, Kurt Vonnegut, Look Back in Anger, Marin Ireland, Marlon Brando, Mike Nichols, Network, Othello, Paddy Chayefsky, Restoration, Richard III, Rita Moreno, Rupert Murdoch, Shakespeare, Socratese, The Double-Dealer, The New Yorker, The Pain of My Own Belligerence, Theresa Rebeck, Tim Blake Nelson, To Kill a Mockingbird, Tyne Daly, What the Constitution Means to Me, Wheelhouse Theater
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Wandering Through History
Sometimes I think of the past as a huge black box, and any time you read a book of history or a biography or a historical novel it’s like shining a concentrated beam of light through that darkness, briefly bringing … Continue reading
Posted in film adaptation, movies
Tagged A World to Win, Alan Brinkley, Amazon streaming, Babylon Berlin, Berlin, Beyond the Fringe, Father Coughlin, FDR, Henry Ford, Hotel Adlon, Huey Long, John le Carre, John Osborne, Labour, Lanny Budd, Meyer Levin, Nazis, Netflix, postwar England, the Beatles, the depression, The Old Bunch, Tory, Traitors, Upton Sinclair, Voices of Protest, WWII
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Icons of the Fifties–Bruce and Holliday
On successive nights I saw shows about two entertainment icons of the 1950s. Neither quite worked, but seeing them in succession triggered a few thoughts. I’m Not a Comedian…I’m Lenny Bruce is by Ronnie Marmo and features him as the … Continue reading
Posted in off-Broadway, theater, Uncategorized
Tagged 1950s, Andréa Burns, Annaleigh Ashford, Bob Fosse, Bruce Marmo, Fifties, HUAC, Judy Holliday, Lenny Bruce, obscenity, Willy Holtzman
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Life Sucks
Once upon a time, when a musical opened on Broadway, it was common for a combo to release an LP (everybody remember what an LP is?) of jazz impressions of the score. Shelley Manne released Jazz Performances of Songs from … Continue reading
Thoughts on Rosie’s Theater Kids
I accepted an invitation to attend a performance on Sunday of Rosie’s Theater Kids. Rosie is Rosie O’Donnell, who started the organization to introduce theater to kids in the New York area who might otherwise not be exposed to it … Continue reading
Posted in Broadway, drama, New York, theater
Tagged Evanston Township High School, high school, Rosie O'Donnell, Rosie's Theater Kids, theater program
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After by Michael McKeever
At first, After, a play by Michael McKeever, is reminiscent of God of Carnage, the Yasmina Reza play about two sets of parents meeting to sort out a conflict involving their sons. Carnage, however, plays out in one act in … Continue reading
Posted in drama, New York, off-Broadway, playwriting, theater
Tagged 59e59th Street Theater, God of Carnage, Joe Brancato, Michael McKeever, Yasmine Reza
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Voices From the Past
To do the new edition of Something Wonderful Right Away, I had to have the text scanned and OCR’ed because I wrote the book before computers. So now I’m working my way, chapter-by-chapter, through the text to make corrections. It’s … Continue reading
Posted in Uncategorized
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On the Trail of Juano Hernandez
Since becoming a fan of Juano Hernandez through Intruder in the Dust and The Breaking Point, I have my DVR set to record anything he’s listed as appearing in. Which is how I ended up watching an oddball movie directed … Continue reading
“Mockingbird” — Stage and Screen
Kristine and I just watched the film version of Harper Lee’s To Kill a Mockingbird a few days after seeing the play. The differences between the film and the stage play are instructive. In the film, the Finches’ housekeeper, Calpurnia, has maybe … Continue reading
Posted in Broadway, drama, film adaptation, movies, playwriting, Uncategorized
Tagged 1930s, A Tree Grows in Brooklyn, Aaoron Sorkin, Alabama, Betty Smith, Calpurnia, Elia Kazan, Gavin Stevens, Go Set a Watchman, Harper Lee, Intruder in the Dust, Lucas Beauchamp, Oxford Mississippi, To Kill a Mockingbird, Tom Robinson, William Faulkner
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