About dgsweet
I write for and about theater. I spent a number of years as a resident playwright of a theater in Chicago which put up 14 of my plays, and I still think of Chicago as my primary theatrical home, though I actually live in New York. I serve on the Council of the Dramatists Guild. Between plays, I write books, most notably SOMETHING WONDERFUL RIGHT AWAY (about Second City), THE O'NEILL (about the O'Neill Center) and THE DRAMATIST'S TOOLKIT (a text on playwriting craft). I also occasionally perform a solo show called YOU ONLY SHOOT THE ONES YOU LOVE. I enjoy visiting theaters outside of New York. I can be reached at dgsweet@aol.com.
A few days ago, as I was leaving the Upper West Side building where my wife and I live, I ran into one of our neighbors, a former state Supreme Court judge. She knows I’m a playwright and a theater … Continue reading →
Posted in drama, film adaptation, New York, off-Broadway, playwriting, Pulitzer Prize, theater, Uncategorized
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Tagged A Doll's House, A Raisin in the Sun, Alexander Zelden, Anne Kauffman, August Wilson, Becomes a Woman, Betty Smith, Brooklyn, Crumbs From the Table of Joy, David Mamet, Eric Tucker, Fall River Fishing, Frederick Wiseman, Herman D. Farrell III, Jamie Lloyd, L:loyd Richards, Lorraine Hansberry, Love, Lynn Nottage, Mint Theater, National Theater of Great Britain, Oscar Isaac, Rachel Brosnahan, The Sign in Sidney Brustein's Window
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“Shakespeare lied.When Juliet died,Romeo didn’t take poison just because he’d lost his bride.What did he do?He got over it.He went back to junior high, and he got over it.And so will you.You’ll get over it.” A lyric by Carolyn Leigh … Continue reading →
Posted in Chekhov, Shakespeare
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Tagged AR Gurney, Bedlam Theater, Chimes at Midnight, Eric Tucker, Falstaff, Fat Ham, Hamlet, Henry IV, How Now Dow Jones, James Ijames, Jay O. Sanders, Keith Baxter, King Lear, Lanford Wilson, Love and Let Love, Margaret Thatcher, Merchant of Venice, Moira Buffini, Orson welles, Peter Ustinov, Queen Elizabeth II, Saint Flashlight, Shakespeare, The Will of the City, Theatre for a New Audience, Tom Stoppard, Twelfth Night, Your Own Thing
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I should declare a conflict of interest. Lloyd Suh is a former student of mine. I have no idea what, if anything, he got from our classes a couple of decades ago at the New School, but he made a … Continue reading →
Posted in Uncategorized
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Tagged Adolph Green, Atlantic Theater, Betty Comden, Daniel Radcliffe, Dramatists Guild, Eric Ting, George Furth, George S. Kaufman, Hal Prince, Hello Dolly!, Jerry Herman, John F. Kennedy, Jonathan Groff, Lee S.Wilkof, Lindsay Mendez, Lloyd Suh, Milk and Honey, Moss Hart, New York Theater Workshop, Roger Ailses, Stephen Rosenfeld, Stephen Sondheim, The Far Country
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If you took a census of all of the characters who are alive in my mind, it wouldn’t surprise me if the number reached into the thousands. Sherlock Holmes and Mama Rose, Clytemnestra and Walter Lee Younger, Jackie Brown and … Continue reading →
Posted in Broadway, drama, New York, off-Broadway, playwriting, theater
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Tagged Bedlam Theater, Chris Chibnall, Christopher Walken, Doctor Who, Eric Tucker, Henrik Ibsen, Jennifer Westfeldt, Jodie Whitaker, Liba Vaynberg, Mike Birbiglia, Othello, Pygmalion, Rattlestick Theater, Saint Joan, Sense and Sensibility, Shakespeare, Susannah Millonzi, The Gett, The Old Man and the Pool, The Winter's Tale
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The first grown-up straight play I remember seeing was Lorraine Hansberry’s A Raisin in the Sun in Chicago. I didn’t see it the first time it played Chicago, when it stopped there on its way to Broadway in February 1959 … Continue reading →
Posted in Broadway, Chicago theater, drama, film adaptation, New York, off-Broadway, playwriting, theater
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Tagged Claudia Cassidy, Claudia McNeil, Danny Glover, Diana Sands, Esther Rolle, Francois Battiste, Jonathan Miller, Lloyd Richards, Long Day's Journey Into Night, Lorraine Hansberry, New York Public Theater, Phylicia Rashad, Raisin in the Sun, Robert O'Hara, Sean Combs, Sidney Poitier, Tonya Pinkins
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I’m going to guess I’m not the only person who learned about the triangle trade from a musical. Late in the action of the show of 1776, a delegate to the Continental Congress from South Carolina named Edward Rutledge reacts … Continue reading →
Posted in Broadway, film adaptation, musicals, New York, Uncategorized
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Tagged "Molasses to Rum", 1776, AnnMarie Milazzo, Benjamin Franklein, Carolee Carmello, Clifford David, Crystal Lucas-Perry, Declaration of Independence, Diane Paulus, Eddie Sauter, Edward Rutledge, Jeffrey L. Page, John Adams, John Cullum, Patrena Murray, Peter Hunt, Peter Stone, Roundabout Theater, Sara Prokalob, Sherman Edwards
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Because of serendipitous scheduling, I saw Kinky Boots on a matinee and the New York Shakespeare production of As You Like It that night. Kinky Boots is about a guy who gets to say and do some things because he … Continue reading →
Posted in Broadway, Chicago theater, drama, improvisation, musicals, New York, off-Broadway, theater, Uncategorized
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Tagged Adrian Lester, As You Like It, BAM, Beauty and the Beast, Callum Francis, Cheek by Jowl, Christian Douglas, Cyndi Lauper, Danielle Hope, Harvei Fierstein, Henry V, Horacio Quiroga, Juan Darien Julie Taymor, King Boots, Rebecca Naomi Jones, Shaina Taub, Viola Spolin, William Shakespeare
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I remember someone bringing up Whose Line Is It Anyway? to Del Close, the Chicago improvisational theater master. A student said something to Del about the players on the show flying without a net. Del retorted, “They may be flying … Continue reading →
Posted in improvisation, New York, off-Broadway, Second City, theater
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Tagged Asad Mecci, Colin Mochrie, Del Close, hypnosis, Hyprov, Something Wonderful Right Away, TJ and Dave, Whose Line Is It Anyway?
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Watched an oddball but extremely affecting British miniseries on Britbox tonight called Don’t Forget the Driver starring Toby Jones (in two roles) and co-written by Jones and Tim Crouch. The plot concerns a bus driver in Bognor Regis who discovers, … Continue reading →
Posted in Chicago theater, improvisation, movies, New York, off-Broadway, playwriting, Second City, television
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Tagged An Oak Tree, Britbox, Claire Rushbrook, Del Close, Don't Forget the Driver, Mike Leigh, Tim Crouch, Toby Jones
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If you saw Phyllida Lloyd’s series of Shakespeare productions set in a women’s prison you likely remember what an arresting impression Jade Anouka made as Mark Antony and Hotspur. She has returned to New York in a solo piece called … Continue reading →
Jeffrey Sweet--Making the Scene 