Author Archives: dgsweet

About dgsweet

I write for and about theater. I spent a number of years as a resident playwright of a theater in Chicago which put up 14 of my plays, and I still think of Chicago as my primary theatrical home, though I actually live in New York. I serve on the Council of the Dramatists Guild. Between plays, I write books, most notably SOMETHING WONDERFUL RIGHT AWAY (about Second City), THE O'NEILL (about the O'Neill Center) and THE DRAMATIST'S TOOLKIT (a text on playwriting craft). I also occasionally perform a solo show called YOU ONLY SHOOT THE ONES YOU LOVE. I enjoy visiting theaters outside of New York. I can be reached at dgsweet@aol.com.

Hemingway

I think the first time I became aware of Ernest Hemingway was in the wake of his death. In 1961, my dad took me by L to the Bryn Mawr, a discount movie theater on Chicago’s north side, to see … Continue reading

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Remembering Preston Jones

In the mid-1970s, I was assigned a piece by an in-flight magazine distributed on American Airlines. The story focused on three playwrights who first came to the theater community’s attention in regional theaters. The three playwrights were David Mamet, Marsha … Continue reading

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Encountering Rose Franken

Continuing to wander through obscure corners of American playwriting, I have stumbled across a forgotten phenomenon.  A writer named Rose Franken created a character who appeared first in a series of stories for Redbook, then in a series of eight … Continue reading

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Both Your Houses

I was determined to witness the moment when Joe Biden overtook the Orange Thug in Pennsylvania. I plopped down on the sofa in the living room under the illusion that this might happen at 2AM (which is about the time … Continue reading

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Election Day Distraction

Don’t know if it’s true for anybody else, but I’m just trying to get this day out of the way. Latest avoidance tactic, an hour or so at the City Diner with my dog at my feet, reading some chapters … Continue reading

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Two Contrasting Plays

I continue my casual tromp through plays of the past, alternating reading from an anthology of early Pulitzer Prize-winners and an anthology of postwar African-American plays. The two most recent plays I’ve encountered, by coincidence, are about flawed Black authority … Continue reading

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TROUBLE IN MIND — Alice Childress

I continue to read plays from the past I’ve never gotten to see. Mostly, as I’ve said before, I’m alternating between an anthology of plays that won the Pulitzer Prize early on and an anthology of post-war plays by Black … Continue reading

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Another obscure Pulitzer Prize-winning play

Continuing my lackadaisical progress through Pulitzer Prize-winners of the past, hit Hell-bent Fer Heaven by Hatcher Hughes. As the “fer” in the title suggests, this is a play written in dialect about hill people in the South (reportedly based on … Continue reading

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SATURDAY NIGHT AND SUNDAY MORNING — today

Watched the British postwar classic, Saturday Night and Sunday Morning, written by Alan Sillitoe and directed by Karel Reisz, starring Albert Finney, Rachel Roberts and Sally Anne Field. The central character is Alan Seaton, who works as a machinist in … Continue reading

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Terrence McNally

I had the pleasure of knowing Terrence McNally from his off-off-Broadway period. Because I worked free in those days, I played keyboard for the 1973 production of his play WHISKEY at St. Clement’s on West 46th Street. Kevin O’Connor directed. … Continue reading

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