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Returning to the Scene
To be simultaneously separated by masks (I wear two) and joined in responding with laughter with hundreds of others is to experience the contradictions of going to the theater these days. Of course, you can’t see the mouths, but maybe you see someone’s eyebrows dance or a tiny backward jerk of the head. In olden… Continue reading
A Commercial Jingle for Regina Comet, Alex Wyse, Ben Fankhauser, Bridge Theatre, Bryonha Marie Parham, Charlotte Bydwell, covid, Dan Wagoner, Hal Prince, Jay O. Sanders, Lakawanna Blues, Martyna Majok, Maryann Plunkett, National Theatre, Porch, Prince of Broadway, Rhinebeck, Richard Nelson, Robert LePage, Ruben Santiago-Hudson, Stratford Festival, What Happened? -
Review: “Sanctuary City”
Movie trailers today mostly are constructed the same way – a line or two of characters yelling or a violent incident quick cuts to another violent incident or line or two of characters yelling. And accompanying each cut is a loud thudding or whomping sound designed to jolt the audience to attention. Using these noises… Continue reading
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“People on Sunday”–a film of pre-Nazi Berlin
Have started reading Joseph McBride’s new book, Billy Wilder: Dancing on the Edge, which naturally led to my watching People on Sunday, a silent film co-directed by Robert Siodmak and Edgar Ulmer (with assists from Curt Siodmak, Fred Zinnemann and Wilder). The easy summary is that it’s mostly about four young people on a sunny… Continue reading
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Men in White, Sidney Kingsley, and Ancillary Thoughts
I recently read Sidney Kingsley’s play, Men in White (1933), and last night I watched the 1934 film adaptation directed by Richard Boleslawski. (Interesting that Boleslawski directed the film version of a work that had been directed on Broadway by one of his students, Lee Strasberg.) As was the case with Street Scene, the film… Continue reading
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A Forgotten Play Yields Treasure
One of the pleasures of trawling the depths of the Broadway HD streaming channel is digging up obscurities. Often, they are obscure for good reason. I can’t say that Don Appell’s Lullaby is any great shakes as a piece of dramatic writing. But I can say that it features something rare: a great performance in… Continue reading
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New York Through Kids’ Eyes
One of the benefits of marrying Kristine twelve years ago (July 15 was our anniversary) is that I acquired, with no effort, six grandchildren. Four of them visited us this past week. Whenever you host visitors, you can’t help but experience your town through their eyes. This visit had the added aspect of urging us… Continue reading
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From “Crime in the Streets” to “West Side Story”
Watched a clumsy but fascinating film called Crime in the Streets. It started as a 1955 live TV play by Reginald Rose presented by the Elgin Hour, directed by Sidney Lumet. A young John Cassavetes starred as Frankie, a member of a street gang called the Hornets. Robert Preston was featured as an idealistic social… Continue reading
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Ride Share
In 1992, a former cab driver named Will Kern drew on his experience to whip up a bracing entertainment called Hellcab. An actor played the driver and an ensemble of six played something in the neighborhood of 30 passengers who occupied the back seat during one shift on Christmas Eve. It didn’t pretend to be… Continue reading
Alan Bennett, Hellcab, Judgment at Nuremberg, Kamal Angelo Bolden, Marty, Philco Playhouse, Playhouse 90, Reginald Edmund, Requiem for a Heavyweight, Ride Share, Simeilia Hodge-Dallaway, Talking Heads, The Days of Wine and Roses, The Miracle Worker, The Trip to Bountiful, Twelve Angry Men, Will Kern -
Living Up to the Dream
I’m close to the end of Bauhaus – A New Era, a German TV miniseries that tells a story of Walter Gropius and his relationship with a student, Dörte Helm, against the background of the arts school Gropius founded in Weimar after WWI. It’s currently running on MHZ Choice, a streaming channel that features foreign-language… Continue reading
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Jeffrey Sweet--Making the Scene 