Uncategorized
-
Thoughts on “Prayer For the French Republic”
At a time when we’ve gotten used to tasty 90-minute hors d’oeuvres, it’s exhilarating to encounter a play with enough on its mind to hold the attention for three hours (including two 10-minute intermissions). Joshua Harmon’s Prayer For the French Republic (immaculately directed by David Cromer at Manhattan Theater Club’s off-Broadway house) is a full… Continue reading
-
Richard Christiansen
I wrote a piece for American Theatre about the late, great Richard Christiansen, a critic who had a major part in the Chicago theater renaissance. And also a friend of mine. Here’s the link — Remembering Richard Christiansen Continue reading
-
Thoughts after watching THE VERDICT
Just watched The Verdict for the first time since it came out forty years ago in 1982. Sidney Lumet at the top of his game, a perfect damn script by David Mamet (I can’t say how much it owes to the original novel), and spectacular work by an extraordinary cast including, in supporting roles, Lindsay Crouse,… Continue reading
Chicago theater, drama, film adaptation, movies, off-Broadway, playwriting, Pulitzer Prize, Second City, UncategorizedAmerican Buffalo, Daniel, David Mamet, Duck Variations, Glengarry Glen Ross, Harold Pinter, James Mason, Jay Presson Allen, Julie Bovasso, Lewis Stadlen, Lindsay Crouse, Mike Nussbaum, Paul Newman, Prince of the City, Sidney Lumet, Slap Shot, St. Nicholas Theater, Stanley Richards, The Verdict, Village Voice, W.H. Macy -
AUTUMN SONATA (2 Bergmans)
Just watched Ingmar Bergman’s Autumn Sonata again (with Ingrid Bergman and Liv Ullmann) for the first time in decades. There are things in it that drive me crazy. The characters explain stuff endlessly in the past tense, and that’s usually enough to send me over the edge. But Bergman and Ullman are extraordinary, particularly in… Continue reading
-
Review: “The Visitor”
For about the first half of its 90-minute running time, The Visitor, the new musical playing at the Public Theater based on Tom McCarthy’s 2007 film, works very nicely indeed. Kwame Kwei-Armah and Brian Yorkey’s script effectively translates McCarthy’s screenplay to the stage with understated encounters and the songs Yorkey (as lyricist) wrote with composer… Continue reading
-
What I’m Trying to Do Here
For something like thirty years, I had the luxury of writing a column for Dramatics, a magazine put out by the Educational Theater Association. The primary audience was high school kids enrolled in drama programs. It was a terrific gig. I generally wrote six pieces a year, so, unlike other critics, I wasn’t under pressure… Continue reading
-
“Deep in My Heart”–Stanley Donen and Sigmund Romberg
Some years ago, I was at a memorial for a friend who had appeared at the Compass in Chicago. I saw a man standing to the side looking a bit perturbed. Elaine May was attending the memorial and, putting two and two together, I realized who he must be and took a stab at why… Continue reading
-
A Forgotten Play Yields Treasure
One of the pleasures of trawling the depths of the Broadway HD streaming channel is digging up obscurities. Often, they are obscure for good reason. I can’t say that Don Appell’s Lullaby is any great shakes as a piece of dramatic writing. But I can say that it features something rare: a great performance in… Continue reading
-
New York Through Kids’ Eyes
One of the benefits of marrying Kristine twelve years ago (July 15 was our anniversary) is that I acquired, with no effort, six grandchildren. Four of them visited us this past week. Whenever you host visitors, you can’t help but experience your town through their eyes. This visit had the added aspect of urging us… Continue reading
Jeffrey Sweet--Making the Scene 