musicals
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Thoughts on MAESTRO
One of the many posters on Facebook said he didn’t see where the drama was in Bradley Cooper’s film about Leonard Bernstein, Maestro. Here was an enormously successful and talented guy who had one artistic triumph after another who managed to hold onto his family and still shtup whoever he wanted. Where were the obstacles Continue reading
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Immmigrants
It’s been a while since I’ve heard anybody use the term “the melting pot.” If I remember my high school history correctly, the idea was that people arriving in this country would bring with them the cultures they had left (or fled). They and/or their children would inevitably meet, socialize with, marry and produce offspring Continue reading
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Musicals in London
I saw eight shows in London. I chose mostly productions I thought would be unlikely to move to New York, including three musicals. The immersive staging by Nicholas Hytner of the Broadway classic Guys and Dolls at the Bridge turned out to be as joyous as promised. I sat in a gallery and it was Continue reading
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“Days of Wine and Roses”
Popular culture has stamped the Fifties in our minds with images of Elvis Presley, Doris Day, Rock Hudson, Mickey Mantle and Annette Funicello. The war was over, the economy was booming, bebop and abstract expressionism were bringing new ideas to music and art, and musicals like Guys and Dolls, Bells Are Ringing and The Music Continue reading
Broadway, film adaptation, Golden Age of Television, movies, musicals, New York, off-Broadway, playwriting, television, theater12 Angry Men, 1950s, Adam Guettal, Atlantic Theater, Blake Edwards, Cliff Robertson, Craig Lucas, Criterion, Executive Suite, Fred Coe, Jack Lemmon, John Frankenheimer, JP Miller, Judgment at Nuremberg, Lee Remick, Leonard Bernstein, Mad Men, Marty, Michael Greif, Patterns, Philco Playhouse, Piper Laurie, Playhouse 90, Requiem for a Heavyweight, The, The Apartment, The Trip to Bountiful, United States Steel Hour, Westinghouse Studio One -
A New “1776”
I’m going to guess I’m not the only person who learned about the triangle trade from a musical. Late in the action of the show of 1776, a delegate to the Continental Congress from South Carolina named Edward Rutledge reacts to his northern colleagues’ concern for black people held in bondage in the south by Continue reading
"Molasses to Rum", 1776, AnnMarie Milazzo, Benjamin Franklein, Carolee Carmello, Clifford David, Crystal Lucas-Perry, Declaration of Independence, Diane Paulus, Eddie Sauter, Edward Rutledge, Jeffrey L. Page, John Adams, John Cullum, Patrena Murray, Peter Hunt, Peter Stone, Roundabout Theater, Sara Prokalob, Sherman Edwards -
As You Kink It
Because of serendipitous scheduling, I saw Kinky Boots on a matinee and the New York Shakespeare production of As You Like It that night. Kinky Boots is about a guy who gets to say and do some things because he dresses up as a woman. As You Like It is about a woman who gets Continue reading
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“The Bedwetter” and “Mr. Saturday Night”
Two new musicals are co-written by people who came to fame via stand-up comedy. Mr. Saturday Night, the Billy Crystal vehicle (which he co-wrote with Lowell Ganz and Babaloo Mandel, composer Jason Robert Brown and lyricist Amanda Green) is about a comic’s life post-fame. The Bedwetter, which Sarah Silverman co-wrote with Joshua Harmon and the Continue reading
Jeffrey Sweet--Making the Scene 