drama
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“The Honey Trap”
I first saw English, The Buena Vista Social Club, Eureka Day, Prayer for the French Republic, Dead Outlaw and Liberation at small non-profit venues before they were picked up for critically-praised productions on Broadway. If I were going to place a bet on current off-Broadway offerings that might make the move, I would put my Continue reading
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Notes on VLADIMIR
Not so long ago, Peter Morgan’s play, Patriots, featured an account of how a Russian oligarch named Boris Berezovsky helped raise Vladimir Putin to power and lived to regret it. Putin, played by Will Keen, was a formidable presence. In Erika Sheffer’s Vladimir (now playing at Manhattan Theater Club’s off-Broadway space at City Center), Putin Continue reading
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“Our Class” and “Fatherland”
Compare and contrast. Does anybody use that phrase any more in high school English? I remember the groan that would arise when one of our teachers assigned a paper and began with that phrase. Compare and contrast The Great Gatsby with To Kill a Mockingbird, or whatever two titles could be randomly paired together. And Continue reading
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James Earl Jones
I wouldn’t presume to call James Earl Jones a friend, but I had four encounters with him that immediately leap to mind. Some years ago, I was involved with a group attempting to revive the theater in Stratford, Connecticut. If the outfit had been successful, I was told I would become literary manager, a gig Continue reading
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Thoughts on Two Solo Shows
Some years ago, a famous singer contacted me to explore the idea of my writing a solo show for her. We had a few pleasant meetings to talk about structure and tone and which out of her catalogue of songs to include in the evening. Part of her history, though, included the death of a Continue reading
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Review: “Brooklyn Laundry”
I sometimes wish I knew less about how plays are built. I’ve been going to the theater regularly since my early teens and putting up plays professionally for more than 50 years, so the techniques and conventions of naturalistic dramatic writing are imprinted as pathways as broad as six-lane highways in my brain. On the Continue reading
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Thoughts on “Aristocrats” and “Appropriate”
Brian Friel’s Aristocrats is set in Ireland and Brandon Jacobs-Jenkins’s Appropriate is set in the American South, but they have similar things in mind. Aristocrats takes place in and near a crumbling Irish manor house. Appropriate takes place in a crumbling Southern mansion. The two are crumbling because of a lack of money and will Continue reading
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Review: “Job”
I’ve said it before, but what the hell: I think there is a difference between being a reviewer and being a critic. A reviewer is someone you check with to decide whether you want to see something. A critic is someone who discusses the work in some kind of depth, on the assumption that you’re Continue reading
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“The Doctor” – written and directed by Robert Icke
I do wish that Robert Icke the director had trusted Robert Icke the writer a bit more. Icke the writer has composed a script about a doctor named Ruth Wolff who strides through her life utterly certain of her ethical imperatives at every turn. Well, whenever you introduce a character so full of certitude, you Continue reading
Jeffrey Sweet--Making the Scene 