Dramatists Guild
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“The Far Country,” “Merrily We Roll Along” and Revues
I should declare a conflict of interest. Lloyd Suh is a former student of mine. I have no idea what, if anything, he got from our classes a couple of decades ago at the New School, but he made a vivid impression on me at the time and I have followed his work with particular Continue reading
Adolph Green, Atlantic Theater, Betty Comden, Daniel Radcliffe, Dramatists Guild, Eric Ting, George Furth, George S. Kaufman, Hal Prince, Hello Dolly!, Jerry Herman, John F. Kennedy, Jonathan Groff, Lee S.Wilkof, Lindsay Mendez, Lloyd Suh, Milk and Honey, Moss Hart, New York Theater Workshop, Roger Ailses, Stephen Rosenfeld, Stephen Sondheim, The Far Country -
Men in White, Sidney Kingsley, and Ancillary Thoughts
I recently read Sidney Kingsley’s play, Men in White (1933), and last night I watched the 1934 film adaptation directed by Richard Boleslawski. (Interesting that Boleslawski directed the film version of a work that had been directed on Broadway by one of his students, Lee Strasberg.) As was the case with Street Scene, the film Continue reading
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Terrence McNally
I had the pleasure of knowing Terrence McNally from his off-off-Broadway period. Because I worked free in those days, I played keyboard for the 1973 production of his play WHISKEY at St. Clement’s on West 46th Street. Kevin O’Connor directed. It was about a group of alcoholic country-western stars and their horse (Whiskey). Quite a Continue reading
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Rejected by the O’Neill
I have heard from a number of friends that that have received word that they will not advance to the next level of consideration at the O’Neill. It may surprise some that, even though I wrote the book about the O’Neill — cleverly titled The O’Neill — I have never had a play produced there. Continue reading
Jeffrey Sweet--Making the Scene 