drama
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“Mockingbird” — Stage and Screen
Kristine and I just watched the film version of Harper Lee’s To Kill a Mockingbird a few days after seeing the play. The differences between the film and the stage play are instructive. In the film, the Finches’ housekeeper, Calpurnia, has maybe ten lines. In Sorkin’s play, she is one of the leading figures. Sorkin’s Calpurnia is… Continue reading
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Rejected by the O’Neill
I have heard from a number of friends that that have received word that they will not advance to the next level of consideration at the O’Neill. It may surprise some that, even though I wrote the book about the O’Neill — cleverly titled The O’Neill — I have never had a play produced there.… Continue reading
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In Dialogue
One of the differences between a blog post and an essay is that an essay is expected to be shapely and to move to some resonant conclusion. Occasionally a blog post will end resonantly, but mostly I find blogging is where I stir the kettle a little. I’ve been thinking about dialogue lately. Not dialogue… Continue reading
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“The Trial of the Catonsville Nine”
If you check ibdb.com for the listing of the cast of The Trial of the Catonsville Nine, which opened on Broadway in 1971, you’ll find it numbered sixteen (including such notables as Mason Adams, Michael Moriarty, Josef Sommer, Helen Stenborg, Sam Waterston, and James Woods). The new off-Broadway production from the Transport Group features a… Continue reading
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Ramblings about “The Sea Gull” (or “The Seagull”)
I finally got around to seeing Michael Mayer’s film adaptation of The Seagull. The best reason to catch it is for Annette Bening’s performance as Arkadina. Arkadina is an actress who can’t stop performing when she’s offstage, and Bening nails this aspect with a wit I’ve rarely seen in a performance of this part. (“What… Continue reading
Jeffrey Sweet--Making the Scene 