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“The Merchant of Venice”
The production of The Merchant of Venice that opened recently at CSC was among the most dismaying evenings I’ve had in the theater in recent memory. It’s particularly dismaying because the director, Igor Golyak, recently staged in the same space a play called Our Class from a script by Tadeusz Słobodzianek that I thought, though Continue reading
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Review: “Hold Onto Me Darling”
Once in a blue moon, I have a strong sense of what a playwright was thinking when they wrote a text. I may well be wrong, of course. But, as I was watching Hold Onto Me Darling (my fingers itch to put in the missing comma), I fancied I could hear Kenneth Lonergan in the Continue reading
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Review: “The Counter”
Much drama focuses on conflict. Two or more points-of-view building to the point where they bang away at each other. What we’ve come to expect from Arthur Miller, Lillian Hellman, August Wilson, Tennessee Williams and Tony Kushner. I’m not saying I don’t love it when the adrenaline kicks in and the metaphoric swords start clanging. Continue reading
Jeffrey Sweet--Making the Scene 